Intuition by Carsten Witte
An amazing series by Cartsen Witte. The gorgeous models paired with the impeccable face paint give the work an eerie feel. I can’t really describe how much I’m enjoying these. There’s a bit of Richard Avedon, even some rawness from Lipari - but Witte does something unique and very special here.
We’d definitely like a large print of one of these in the studio.
22 February 2012
Category:
cartsen witte
photography
arts
skullllllssssss
Interview with Giovanni Lipari of The Death of Youth
We posted about The Death of Youth a while back, the popular photo blog of Giovanni Lipari. His growing catalogue of women have begun to attract a wide audience, both curious and interested.
Lipari’s curations depict seductive scenarios, contextually embedded in hopeful reality - but in actuality are an intelligent fabrication, showcasing good storytelling, a good eye, and a thoughtful message on youth, sex, and whim. Read our interview with the mind behind The Death of Youth below.
The manner in which you photograph these women appear to be extremely personal. The hyper-sexuality, the setting, the poses…the photographs seem to be set up as after thoughts - just documenting a specific sexual encounter. Are the situations real? Do you know these women personally?
I think that there is both a personal aspect, as well as a manufactured characteristic, to these photographs. Similar to an advertisement, these pictures seek to sell a certain lifestyle. In reality, there was no sexual encounter, but the way in which the photos portray the relationship between the photographer and the model emulates a romance that shows two lovers in an intimate situation. In general, in this project I met the women immediately before I started to shoot them. Very rarely would I have any interaction with a model before they got naked. Because of this, the situations reflected in my photographs do not demonstrate the true relationship between myself and the models, but rather the fabricated lifestyle I sought to display in this series.
What was more pleasing - experiencing these fantasies as a young man, or reliving them in the contextof’DeathofYouth’?
I cannot say that I have ever personally experienced these fantasies, even during my youth. I see these photos as nothing more than a fabrication, in which I did not actively fulfill a longstanding fantasy. In reality, I did not always enjoy the production of these photographs; it was hard work. I am simply showing that this lifestyle is easily manufactured, but that it is not a reality for most people. The only individuals who experience such a hyper-sexualized way of life are certain musicians, celebrities and athletes.
Is there a specific woman that you photographed that was more compelling than the rest?
This is a difficult question for me to answer. Many of the women brought a huge part of themselves to the shoot, so it would be difficult for me to set apart one over another. I can say, however, that some of the models were extremely difficult to work with, while others were absolutely pleasant and wonderful to spend time with.
What drew you to the specific women that you photographed?
In “Death of Youth” I sought to portray a varied group of women. For this series, I was particularly interested in seeking out women with distinct characteristics and looks. In general, I found that I enjoyed photographing the women who were truly comfortable with their bodies.
Do you pay these women? Or do they participate freely in this art project?
It was about 50/50 with the models that I photographed. I never paid any of them too much money, but yes, about half of the women took home a check. However, I think that the best shoots were often with the women who really wanted to help me out for the sake of the project. I definitely appreciated the women who did this for me.
Other than the driving philosophy behindofDoY, was there anything or anyone else that influenced your work? There are some obvious similarities to Newton’s work, as well as Bourdin’s. Where they instrumental to what you do?
The men that I mentioned as having an impact on my youth, such as Hugh Hefner, Terry Richardson and Helmut Newton, all portray a certain illusion of machismo. As young men, we are told that the way that these playboys act is “cool,” and we aspire to be them. Yet, in my opinion, this archetype has been fabricated to sell ideas, products and a playboy lifestyle. By emulating this same lifestyle in this series, I have demonstrated how easily this image can be manufactured. In other words, part of the realization of this series, for me, came from deconstructing this image of the “jet-setting playboy” that had long influenced me as a young man.
22 February 2012
Category:
Interview
Death Of Youth
Art
Culture
Photography
Giovanni Lipari
Famous photographers pose with their most iconic pictures. It’s great giving these people some recognition, as we often remember the photograph, and the photograph only. Makes you realize that beautiful simplicity in talent - in that it is nothing more than passion meets luck.
Pictured above is Jeff Widener holding his famous photo of ‘Tank Man in Tienanmen Square’ from 1989. View more here.
23 January 2012
Category:
arts
photography
tank man
Steven Siegel
These photographs of New York City circa 1980 left me speechless. Photographer Steven Siegel has been documenting NYC for over three decades. His photographs of the city during the depressive slum era depict the city as more of a war zone rather than the culturally rich city we see it today.
19 January 2012
Category:
culture
photography
siegel
Voguing and the House Ballroom Scene of New York City, 1989-92
Photographer Chantal Regnault lived in New York in the early 90s, photographing one of the most provacative and intriguing scenes of American history.
Voguing, as it came to be called, birthed out of the extraordinary house ballroom scene that emerged in Harlem, New York in the 1980s where men competed against one another for their dancing skills, the realness of their drag and their ability to walk on a catwalk runway like a model. Regnault photographed the scene at its height – the dancers Willi Ninja, Jose and Luis Xtravaganza (who all worked with Madonna) – as well as the legendary ‘mothers’ of the gay and transgender world – Avis Pendavis, Peppa LaBeija, Carmen Xtravaganza, Dorian Corey, Paris Dupree and more.
A collection of Regnault’s best photographs are assembled in “Voguing: Voguing and the House Ballroom Scene of New York City 1989-92”. The book will be paired with a 2CD/LP compilation from Soul Jazz Records featuring Masters at Work, MFSB, Junior Vasquez, Diana Ross, Armand Van Helden, Loose Joints, First Choice and many more of the musicians that soundtracked the beginnings of the Voguing scene.
BBC caught wind of the book and conducted a short interview with Regnault. Listen here.
19 January 2012
Category:
culture
voguing
regnault
photography
arts
Russia in Color, a Century Ago
“With images from southern and central Russia in the news lately due to extensive wildfires, I thought it would be interesting to look back in time with this extraordinary collection of color photographs taken between 1909 and 1912. In those years, photographer Sergei Mikhailovich Prokudin-Gorskii (1863-1944) undertook a photographic survey of the Russian Empire with the support of Tsar Nicholas II. He used a specialized camera to capture three black and white images in fairly quick succession, using red, green and blue filters, allowing them to later be recombined and projected with filtered lanterns to show near true color images. The high quality of the images, combined with the bright colors, make it difficult for viewers to believe that they are looking 100 years back in time - when these photographs were taken, neither the Russian Revolution nor World War I had yet begun. Collected here are a few of the hundreds of color images made available by the Library of Congress, which purchased the original glass plates back in 1948.”
18 January 2012
Category:
russia
color
photography
culture
